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JUKEBOXX NEW
MUSIC AWARD

For the tenth time since 2013, the Christoph and Stephan Kaske Foundation and the Neue Musikzeitung have announced the JukeBoxx NewMusic Award. With a total prize fund of €4,000, the award is aimed at composers and artists working in contemporary classical music and media art. As part of the International Short Film Week Regensburg, JukeBoxx NewMusic presents a selection of outstanding contributions from the 2024 edition. This year's award goes to media artist Sylvia Hinz for her work *IN DIALOGUE WITH FRANCESCA WOODMAN – GEGENÜBER 1/FLÜSTERN*. Additionally, a special prize has been awarded to David Krippendorff for his piece *APPROPRIATION*. Andreas Kolb, editor-in-chief of *Neue Musikzeitung*, will moderate the award ceremony and the following live talk with Sylvia Hinz and David Krippendorff. The evening concludes with a sparkling wine reception in the foyer of the Filmgalerie. More information is available at [www.jukeboxx-newmusic.net](http://www.jukeboxx-newmusic.net).

March 25

18:00

@

Filmgalerie

Eintritt frei
in dialogue with Francesca Woodman – gegenüber 1 / flüstern

in dialogue with Francesca Woodman – gegenüber 1 / flüstern

Germany

|

2024

|

4

Min

|

No Dialogue

Regie:

Sylvia Hinz

Produktion:

Sylvia Hinz

A gloomy room, a female body, a mirror in which clouds of smoke incessantly drift away. We are also surrounded by hypnotic whispers.
A gloomy room, a female body, a mirror in which clouds of smoke incessantly drift away. We are also surrounded by hypnotic whispers.

in dialogue with Francesca Woodman – gegenüber 1 / flüstern

Germany

No Dialogue

|

|

2024

|

4

Min

in dialogue with Francesca Woodman – gegenüber 1 / flüstern

in dialogue with Francesca Woodman – gegenüber 1 / flüstern

Germany

|

2024

|

4

Min

|

No Dialogue

Regie:

Sylvia Hinz

Produktion:

Sylvia Hinz

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A gloomy room, a female body, a mirror in which clouds of smoke incessantly drift away. We are also surrounded by hypnotic whispers.

Heading 2

Land

|

Jahr

|

Dauer

Min

Appropriation

Appropriation

Germany

|

2023

|

6

Min

|

OVS

Regie:

David Krippendorff

Produktion:

David Krippendorff

A performance of Ravel’s version of the Kaddish (the Jewish prayer for the dead.) takes on a myriad of complex issues, raising numerous questions and leaving the answers purposefully open to interpretation. Oscillating between the intimate and the personal, the performative and the theatrical, the film is underlined by an electronic, drone-like musical score (by Anastasio Mitropoulos) that takes harmonies and sequences of notes directly from Ravel’s original score and adds a layer of tension and discomfort.
A performance of Ravel’s version of the Kaddish (the Jewish prayer for the dead.) takes on a myriad of complex issues, raising numerous questions and leaving the answers purposefully open to interpretation. Oscillating between the intimate and the personal, the performative and the theatrical, the film is underlined by an electronic, drone-like musical score (by Anastasio Mitropoulos) that takes harmonies and sequences of notes directly from Ravel’s original score and adds a layer of tension and discomfort.

Appropriation

Germany

OVS

|

|

2023

|

6

Min

Appropriation

Appropriation

Germany

|

2023

|

6

Min

|

OVS

Regie:

David Krippendorff

Produktion:

David Krippendorff

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A performance of Ravel’s version of the Kaddish (the Jewish prayer for the dead.) takes on a myriad of complex issues, raising numerous questions and leaving the answers purposefully open to interpretation. Oscillating between the intimate and the personal, the performative and the theatrical, the film is underlined by an electronic, drone-like musical score (by Anastasio Mitropoulos) that takes harmonies and sequences of notes directly from Ravel’s original score and adds a layer of tension and discomfort.

Heading 2

Land

|

Jahr

|

Dauer

Min

Turbulence_1/2

Turbulence_1/2

Germany

|

2023

|

7

Min

|

No Dialogue

Regie:

Telemach Wiesinger

Produktion:

Telemach Wiesinger

The film poem TURBULENCE 1/2 exists in the dynamic tension between surreal fantasy and multilayered reality. Telemach Wiesinger’s photographic images of airplanes, captured from the traveler’s perspective, encounter the kinetic wing objects of composer Alexander Grebtschenko. Through the congenial collaboration of the two artists, the electronically controlled Chimerae—elegant bird wings with a megaphone—unfold an expressive, "theatrical" presence. The dialogue between the sonic and visual levels creates space for emotions, thoughts, and interpretations. (Thomas Spiegelmann)
The film poem TURBULENCE 1/2 exists in the dynamic tension between surreal fantasy and multilayered reality. Telemach Wiesinger’s photographic images of airplanes, captured from the traveler’s perspective, encounter the kinetic wing objects of composer Alexander Grebtschenko. Through the congenial collaboration of the two artists, the electronically controlled Chimerae—elegant bird wings with a megaphone—unfold an expressive, "theatrical" presence. The dialogue between the sonic and visual levels creates space for emotions, thoughts, and interpretations. (Thomas Spiegelmann)

Turbulence_1/2

Germany

No Dialogue

|

|

2023

|

7

Min

Turbulence_1/2

Turbulence_1/2

Germany

|

2023

|

7

Min

|

No Dialogue

Regie:

Telemach Wiesinger

Produktion:

Telemach Wiesinger

Collapsible text is perfect for longer content like paragraphs and descriptions. It’s a great way to give people more information while keeping your layout clean. Link your text to anything, including an external website or a different page. You can set your text box to expand and collapse when people click, so they can read more or less info.

The film poem TURBULENCE 1/2 exists in the dynamic tension between surreal fantasy and multilayered reality. Telemach Wiesinger’s photographic images of airplanes, captured from the traveler’s perspective, encounter the kinetic wing objects of composer Alexander Grebtschenko. Through the congenial collaboration of the two artists, the electronically controlled Chimerae—elegant bird wings with a megaphone—unfold an expressive, "theatrical" presence. The dialogue between the sonic and visual levels creates space for emotions, thoughts, and interpretations. (Thomas Spiegelmann)

Heading 2

Land

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Jahr

|

Dauer

Min

… auf einem Punkt der fliehenden Zeit …

… auf einem Punkt der fliehenden Zeit …

Switzerland, Germany

|

2024

|

6

Min

|

No Dialogue

Regie:

Nnk. Atelier, Ilga Nelles Nelles, Verena Nelles Kempf

Produktion:

Nnk. Atelier

With high, floating notes, the cello sound body slowly builds up from top to bottom and as the ice thaws, a rich, lively, undulating chord develops; the high notes mutate into overtones.
With high, floating notes, the cello sound body slowly builds up from top to bottom and as the ice thaws, a rich, lively, undulating chord develops; the high notes mutate into overtones.

… auf einem Punkt der fliehenden Zeit …

Switzerland, Germany

No Dialogue

|

|

2024

|

6

Min

… auf einem Punkt der fliehenden Zeit …

… auf einem Punkt der fliehenden Zeit …

Switzerland, Germany

|

2024

|

6

Min

|

No Dialogue

Regie:

Nnk. Atelier, Ilga Nelles Nelles, Verena Nelles Kempf

Produktion:

Nnk. Atelier

Collapsible text is perfect for longer content like paragraphs and descriptions. It’s a great way to give people more information while keeping your layout clean. Link your text to anything, including an external website or a different page. You can set your text box to expand and collapse when people click, so they can read more or less info.

With high, floating notes, the cello sound body slowly builds up from top to bottom and as the ice thaws, a rich, lively, undulating chord develops; the high notes mutate into overtones.

Heading 2

Land

|

Jahr

|

Dauer

Min

Elementarphysik

Elementarphysik

Germany

|

2021

|

6

Min

|

No Dialogue

Regie:

Matthias Ockert, Dagmar Vinzenz

Produktion:

POLYTHEISTIC ENSEMBLE, Matthias Ockert, Dagmar Vinzenz

Formally, the film's music consists of interlocking loop structures of varying proportions, which occasionally break up linearly. In addition, a virtual architectural object was staged. Via sensors, each instrument has a different playful access to the change of the object and to lighting and perspective.
Formally, the film's music consists of interlocking loop structures of varying proportions, which occasionally break up linearly. In addition, a virtual architectural object was staged. Via sensors, each instrument has a different playful access to the change of the object and to lighting and perspective.

Elementarphysik

Germany

No Dialogue

|

|

2021

|

6

Min

Elementarphysik

Elementarphysik

Germany

|

2021

|

6

Min

|

No Dialogue

Regie:

Matthias Ockert, Dagmar Vinzenz

Produktion:

POLYTHEISTIC ENSEMBLE, Matthias Ockert, Dagmar Vinzenz

Collapsible text is perfect for longer content like paragraphs and descriptions. It’s a great way to give people more information while keeping your layout clean. Link your text to anything, including an external website or a different page. You can set your text box to expand and collapse when people click, so they can read more or less info.

Formally, the film's music consists of interlocking loop structures of varying proportions, which occasionally break up linearly. In addition, a virtual architectural object was staged. Via sensors, each instrument has a different playful access to the change of the object and to lighting and perspective.

Heading 2

Land

|

Jahr

|

Dauer

Min

Fluttering Substance

Fluttering Substance

Austria

|

2021

|

8

Min

|

No Dialogue

Regie:

Otto Wanke

Produktion:

Otto Wanke

The piece uses short audio excerpts from interviews with the American writer William Burroughs, in which he describes his cut-up technique.
The piece uses short audio excerpts from interviews with the American writer William Burroughs, in which he describes his cut-up technique.

Fluttering Substance

Austria

No Dialogue

|

|

2021

|

8

Min

Fluttering Substance

Fluttering Substance

Austria

|

2021

|

8

Min

|

No Dialogue

Regie:

Otto Wanke

Produktion:

Otto Wanke

Collapsible text is perfect for longer content like paragraphs and descriptions. It’s a great way to give people more information while keeping your layout clean. Link your text to anything, including an external website or a different page. You can set your text box to expand and collapse when people click, so they can read more or less info.

The piece uses short audio excerpts from interviews with the American writer William Burroughs, in which he describes his cut-up technique.

Heading 2

Land

|

Jahr

|

Dauer

Min

Easy Pieces

Easy Pieces

Germany

|

2023

|

9

Min

|

No Dialogue

Regie:

Karsten Wiesel, Michael Maierhof

Produktion:

Karsten Wiesel

A composer and a filmmaker meet: Michael Maierhof and Karsten Wiesel. They introduce each other to their previous works. What happens between the lines is left to the audience.
A composer and a filmmaker meet: Michael Maierhof and Karsten Wiesel. They introduce each other to their previous works. What happens between the lines is left to the audience.

Easy Pieces

Germany

No Dialogue

|

|

2023

|

9

Min

Easy Pieces

Easy Pieces

Germany

|

2023

|

9

Min

|

No Dialogue

Regie:

Karsten Wiesel, Michael Maierhof

Produktion:

Karsten Wiesel

Collapsible text is perfect for longer content like paragraphs and descriptions. It’s a great way to give people more information while keeping your layout clean. Link your text to anything, including an external website or a different page. You can set your text box to expand and collapse when people click, so they can read more or less info.

A composer and a filmmaker meet: Michael Maierhof and Karsten Wiesel. They introduce each other to their previous works. What happens between the lines is left to the audience.

Heading 2

Land

|

Jahr

|

Dauer

Min

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